« |||ФД.питм for. In march to the « I (if mtlotly/ of The British Grena-
примеры И (г Ills'll music, but the piece she m luu liml nit melody fur liim and ihlwl «lii'thcr it had any melody tiilll'l' listeners, though they had Mtwy Jaiw to play something 4ftf, ' 1 )ttl>Hners'). He had seen “fin fliiil that passed musiw. It iill, hul no worse. But Siegfried*. lit' mrul ioned it Prolessor Erl in lilt lunid on his hand and bellowed miulil''!’. Not a melody in it from liiu to endl (!№'. S. Muughutn, ‘Of I TtvHittige'). Even her body shook wityi'il in lime with lhe pulse and mIIiiii nl the melody (A, litixkt/,
i I mtiili'r Point')- She was softly It lo herself one of the melodies ►III' had been playing earlier in veiling (№’. Collins, ‘The Woman Mi1'). The desire that grew upon ■nit! myself, as the mournful progressed, was to fall upon each necks and weep, but by great 1 we kept back the rising tears, and vd t1 j ihe wild year i if nl melody in p (J, К■ Jerome. ‘Three Men in -/), Me played by the hour: sad lya and dance tunes with a sorrow ing in I hem (S. T, Warner, 'Emit').
Ill к iiimd a new song had come, the
III ol l-vil, the music of lhe enemy, of «IV I"1’ "f Hie family, a savage, secret, Лицуют melody, and underneath, Lhe luiUI of tlie Family cried plaintively fjr S Inn lurk, 'The Peart’). Folk music,
Spin iwl I у the attractive meltjdies of idle and Irish folk song?, will supply iclli nt models of many kinds of tunes tittivr Secondary Education). The help I hr teacher should he sought in the
Йtil nit of harmonies and piano accompa- .. pubiiIs lo ihe songs ami dance melodies •■implist'd by the pupils ( Junior Second- U>U liilucalion). Their prevailing passion Ци». perhaps, a love of music—not the iliciip meludies oi the moment, but stern, iImkIi'iiI music (A. J. Cronin, ‘The Cita- thl'\ Philip was a very cultured ynuug Ими, find he looked upon musical comedy With scorn. He thought the jokes vulgar Hi nl (he melodies obvious,. (W. 5. Muuglhitrt. ‘Of Human bondage') .The twit- IriliiU of those tarnished melodies came UH lii her in all the bravura of an age lilliii knew better than this, it seemed, how to express the emotions of wayward hearts (/. Galsworthy, ‘End of the Chap ter’) .
An endearing, coo), anti lovely tune, coming over and over, and over, monoto nous, yet moving as only 13ach could be (J. Galsworthy, 'End of the Chapter'). The three-piece orchestra—piano, trum pet, and accordion—played show tunes and there was a good deal of singing solo and group (J. O'Hara, ‘The Big Laugh’). The piano was playing a ualtz tune and he could hear the skirts sweeping against the drawing-room door (J. Joyce, ‘Dubliners’). ..the tune was the tune which all dance bands seem to play just before one enters the dance hall, a sad, refined, ralher sexy little foxtrot of no particular period (J. Braine, "Room at the Top'). The knot of men who were play ing were half in the gutter and half
oil the pavement. They were moving along Steadily, as the law insists, and tlie rattle of their collecting-botes was as noisy as their tune (M. Aliingham, ‘The. Tiger in ihe Smoke’). Diana played the Red Sarafan; she played lhe fine simple tune over and osrer, as if making hypnotic passes towards that mute figure (J. Gals worthy, ‘End of the Chapter'), He hummed away, zum, zoo, гит, zoo, zoo, zoo, pleased because I was inventing reasons for his choice oi tune (C. P. Snow, 'Time of Hope’). The younger man began to whistle Come ta Me My Melancholy Baby. He stopped abruptly. '1 wish that damn tune would get out ol my head. It’s been going all day. It’s an old tune, too..’ (J. Steinbeck, ‘The Raid’). He is lulled into deeper slumber by the happy thought of two reservists, who strike up Autd Lang Syne, But they gel it so horribly mixed up with Home, sweet home that the sleeper wakes with a yell of God hlexs you, Tommy Atkins; and all three tunes are raging in a infernal counterpoint when the train stops at Haslemere.. (8. Shaw,
‘ Cunnonfodder’). Rancour grew upon him, and on Saturday he had a roaring audacious evening .. where, to the tune of The Brit ish Grenadiers, he sung a doggerel., (A, Coppard, ‘The Poor Man'). He ran downstairs whistl ing an optimistic tune from Oklahoma and thinking with remorse of all the prospective fathers he had privately jeered at (T, G. Patton, ‘Good Morning. Afiss Dove'), The band was fin ishing off Carmen with the Toreador's song. A blot on the opera, its most popu-